Kneeling camels

This may well be getting pretty deep into "want but don't need" territory, but the combination of Museum's January sale, and having seen that there are at least a couple of Ancient armies (Moors and Early Arabs) who can have troops defending behind a line of tethered camels inevitably meant I was compelled to buy some of Museums kneeling camels earlier this year - and here they now are.

There isn't a great deal to say about them really, other than that they are done in GW Contrast Paints, with Darkoath Flesh and Aggaros Dunes being the two main colours used.

Here are some Legio Heroica and Esssex Arab warriors defending behind them. 

Anyways, if I were riding a horse, this would put me off charging these guys for sure!

Some "Yuge" War Wagons !

 Having sold a few of the textbook Essex War Wagons in recent years, I've accidentally drifted back into owning more than I will ever probably use as a result of picking up some because they looked interesting, and more latterly being given some 3D prints as giveaways along with competition entry. 

Mixing metal ones from different manufacturers, 3D prints in resin and even an MDF one does however lead to some serious variations in scale, or perhaps more accurately, "size" between the different ranges - and that is very much reflected here! 

This one was a 3D print handed out to competitors at the Akra Leuka Tournament in Alicante in January 2025.  I've added some Essex & Mirliton crew who are sort of randoms, all picked out of the bits box. The wagon is enormous and I needed to sit the crew on 2 lolly sticks to give them the extra height to see out. 

This cute little box on wheels is the Fireforge MDF kit of a 15mm war wagon. The wheels are a bit "Fred Flintstone" and it comes without the oxen, again from the bits box (I think Mirlitons Carroccio wagon comes with 4 which was too many to fit on a base) so these have at least got some wagon-pulling experience in a previous life

The lid of the Fireforrge MDF kit does however lift off, and they supply this folded-out lid that becomes a pavise shield thingy too. Even so its a huge blocky wagon.

Here is the 3D print and the MDF kit side by side. 

And, for a contrast, the 3D printed wagon and a Museum wagon side by side. 

I guess I know which one I'd prefer to be defending!

From the other side the sheer scale of the folded-out roof on the 3D print is even more striking.

Here is the front-on view. No room for horses or oxen on an 80mm long base with the 3D print.

This is the Museum wagon. They are ridiculously good value, especially in the annual Museum sale when you can pick them up for under £4 each.

Having draft horses as well is a bonus - my bits box is only so deep after all!

This is the 3D print again - the flag is one I Googled looking for a Hussite Flag

The imposing wall of defence - ideally they will only attack from this side!

I haven't glued the crew in though, so if needed they can turn around as a block of 4 and fight over this side too.

All in all a real mix - I suppose there is no reason all "wagons" would be the same size (unlike say, people or horses) but if I do get these all on table at the same time I am sure some eyebrows will be raised nevertheless!

Museum Z-Range Gallowglass

 Earlier this year I dithered for a while before just sneaking into the end of the Museum Miniatures January sale to pick up some mail-clad, axe-waving figures to use as Galloglass / Galloghalich / Gallogalisghaghs / whatever, those post-Viking 2-handed axemen who feature in Irish and Scottish armies of the early Medieval period. 

I've been using Vikings for these guys when I've dropped an army on table, but it isn't quite right and with some decent looking figures in Museum's new Z range Saxons that looked like they would fit I decided to drop some cash and buy on in there with some packs of 15/ASX13 Dark Ages double handed axe plus a few more Saxon range figures for added variety (as the ASX13 only has 3 poses) 

I decided to go old-school with these and paint them up with a black undercoat and "normal" paints, partly just to make sure I could remember how to do it in this age of Contrasts and Washes! 

They start off on lolly sticks with a Halfords black undercoat, and the main colours you can see here are:

• Vallejo Ivory (the off-white)
• Warlord Fanatic White
• Warlord Army Green
• Warlord Abomination Gore (dark red) 
• Warlord Fanatic Gunmetal
• Warlord Fanatic Leather Brown
• Warlord Deep Blue

Given this is a fairly limited pallette I was quite pleased with the mix of coherence and variety this set of paints achieved.

The first really surprising thing about these figures was that they all have shields on their backs! 

Having looked again at the pictures of the renders on Museum's site, you can just about make out the shields, but I'd honestly not noticed them when I bought them, as all of the shots are taken from the front angle of the figures which very much hides the shields. 

This is a mixed blessing - being Galloglass I didn't really want them to have shields, but then again my opponent won't really see them anyway ... and I will get to see my own handiwork in painting them, which is a rare bonus too! 

From the front..

Quite different from the front and the back! 

And here are the "lightbox" photos of the finished set.

Overall I'm really pleased with them. Unlike some recent Museum purchases the casting on these really does stand up to scrutiny and matches the quality and detail of the 3D renders on the site - even if my own painting can't meet that same standard!

One final note of weirdness was that I had left out some figures from this batch, as they mostly had very distinctive "Saxon" helmets, and were mostly spear-armed. 

I undercoated these leftovers in white to see what they would have looked like done in Contrasts, and that's when I noticed that some of the figures seemed to be a very different scale to the rest - notably the little trumpeter in the same pack (15/ASX91 Anglo Saxon Med Command) as a much larger axeman and spearman 

You can see the trumpeter, and the three guys to the left of him in this photo all from the same pack and range  - all of the spearmen here are much bigger than the childlike trumpeter. 

I used another trumpeter figure in with the main set of figures and he doesn't look out of place or scale at all, so I'm not quiet sure why these spearmen are so huge when figures in the same range (and pack!) are much larger?

Who knows.. ! 

 

Xyston Persian Bowmen

 Being unable to resist a bargain, I picked up these Xyston bowmen in a tabletop sale at the recent 1-day ADLG event in Reading.   

They are from the time when PSC were re-casting Xyston figures in Siocast rubbery resin (an experiment which by all accounts seems to have now run its course FWIW).

I reckon that Persians and other "Eastern" armies are perfect to get the best out of Contrast Paints, and these chaps have certainly come out pretty well both in terms of the vibrant "silk-like" colours and also with how the paint has flowed into the deep lines cast into the design of the figures 

Its most noticable from the back, where the leather armour comes up a real treat with a coat of Aggaros Dunes on a white undercoat base layer

With ADLG units being 6/base, this set of 16 also allowed me to eke out two units of light foot archers too

Looking at the army list I'm now not entirely sure where these guys will fit in, but I believe that some of the Successor armies get the odd Persian peasant archer unit too so I'm sure they will make an appearance some day. 

Lots of big moustaches!

My existing Persian infantry are Museum Z-Sculpts, which look great when ranked up in a dense formation but actually don't really stand up especially well when compared directly to the equivalent Xyston sculpts one-to-one

The Museum chaps are at the front, and are noticably slighter in build

More significantly however, the level of detail on the Museum castings is far shallower than on the Xyston sculpts, such that after even a thin layer of sprayed-on white base coat the detail on the Museum figures struggles to take the Contrast paints - whereas the exaggerated depths of the Xyston figures really allow this style of painting to "ping" 

It's not terminal - I'll still happily mix these in the same army, and same unit as well - but it is a reminder that different styles of sculpting work better with different paint techniques.

Achilles & The Myrmidions in 15mm

 Having been reasonably succesful with a Mycenean army at Warfare in 2022, and then getting my hands on a proper Trojan Horse at the Alicante event some months later I am now of course tempted to wheel out the Myceneans again at a future event.

At Warfare one of the star units in my army was Achilles and his Myrmidions - but to be honest the figures were not especially "Myrmidion", being mostly these old-style Museum swordsmen sculpts with fairly generic shields.

 So, when Museum came out with a range of Myrmidions, and also Trojan hero figures in their new Z-Sculpts that suddenly seemed like a must-have addition to give me two new units of spiffy Myrmidions with very obvious Included Generals (aka Achilles) leading one of them. 

And here they are - most of the Heroes of the Trojan Age are clustered on the stand on the left, with standard Myrmidions on the right. 

The Heroes are slightly, but noticably bigger than the normal rather slim Myrmidions, and all have unique poses and equipment.

This front-on shot shows the size difference clearly. 

They are nice figures, but I did find them harder to paint than I had hoped as the detail on the figures is really very shallow, which makes spotting which areas to paint, and painting with washes and speedpaints much harder than it really should be.  

There are also some hard to understand elements in the design, especially the "woolly hats" which seem to have horns projecting though them - which to my mind would surely sit better on a metal helmet? 

Perhaps though I've not done enough research and the Myceneans actually had tea cosies over their helmets? 

Here they are from the rear - you can see where I have had to use layered shading to get some texture into the clothing as the figures didn't really do much for the Holy White ArmyPainter speedpaint on their own. 

So, all in all I think they have come out OK - but perhaps not as well as I initially hoped, partly as the detail on the figures isn't as deep as I would ideally have liked, and partly as I found that lack of detail frustrating and as such maybe didn't try as hard as I needed to to adopt the right painting approach for these guys. 

Having painted up a fair few of the Museum Z Sculpts in the last few years I am actually starting to look more critically at them in general, as my experience with these figures is starting to feel like a common thread across all of the others I've painted before now as well. 

Museums Z Ranges look great in the renders, they are nice poses, there's a whole lot to like about them, the price is good, the metal they use has a great pewter-like good quality too - but with so many of us increasingly relying on washes, Contrast and Speed paints to paint our figures, deeper slightly exaggerated details such as those seen on Xyston, or Forged in Battles' ranges are much easier to paint. Their deep details really do come up a treat - whereas some of the details on these Museum Z Sculpts almost seems to disappear even with just an undercoat. 

If only the raised details and undercuts on the figures could just somehow be (I guess digitally?) "dialled up" a little, and perhaps some of the spears thickened too then the Z Range would be as good after people like me have finished painting them as they look in the 3D renders on the Museum site !